Nazanin moved to the US in 2015 to pursue her MA in Social Justice and Equity in Education and Documentary filmmaking at San Francisco State University. Nazanin promotes stories that inform, inspire, and provoke conversations. Her latest short documentary as a producer was The Color of Memories (2018), about disability, immigration, and music. She, as a producer, has been working on a feature documentary investigating the untold mysteries behind the secluded collection of Western art masterpieces in the Tehran Museum of Contompery Art vault. Her directorial debut projects the endeavor of two feminist Iranian visual artists, embracing different body images and challenging religious and political limitations and censorship.